Apr 052012
 

BImage of Breath, Eyes, Memory (Oprah's Book Club)reath, Eyes, Memory
By Edwidge Danticat
Oprah Book Club® Selection #18, May 1998

Editorial Review:

“I come from a place where breath, eyes and memory are one, a place from which you carry your past like the hair on your head. Where women return to their children as butterflies or as tears in the eyes of the statues that their daughters pray to.” The place is Haiti and the speaker is Sophie, the heroine of Edwidge Danticat’s novel, “Breath, Eyes, Memory.” Like her protagonist, Danticat is also Haitian; like her, she was raised in Haiti by an aunt until she came to the United States at age 12. Indeed, in her short stories, Danticat has often drawn on her background to fund her fiction, and she continues to do so in her debut novel.
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Apr 052012
 

Image of Black and Blue: A Novel

Black and Blue: A Novel
By Anna Quindlen
Oprah Book Club® Selection #17, April 1998

Editorial Review:

“The first time my husband hit me I was nineteen years old,” begins Fran Benedetto, the broken heroine of Anna Quindlen’s Black and Blue. With one sweeping sentence, the door to an abused and tortured world is swung wide open and the psyche of a crushed and tattered self-image exposed. “Frannie, Frannie, Fran”–as Bobby Benedetto liked to call her before smashing her into kitchen appliances–was a young, energetic nursing student when she met her husband-to-be at a local Brooklyn bar. She was instantly captivated by his dark, brooding looks and magnetic personality, but her fascination soon solidified into a marital prison sentence of incessant abuse and the destruction of her own identity. After an especially horrific beating and rape, Fran realizes that the next attack could be the last. Fearing her son would be left alone with Bobby, she escapes one morning with her child.
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Apr 042012
 

Image of Here on Earth (Oprah's Book Club)

Here on Earth
By Alice Hoffman
Oprah Book Club® Selection #16, March 1998

Editorial Review:

Here on Earth is set in motion when March Murray and her teenage daughter travel from their California home to New England. Their stay is to be brief. Judith Dale, her childhood housekeeper-cum-foster mother, has died, and March must set things to right and get out of gloomy Jenkintown as quickly as possible. “Five days tops,” she reassures her scientist husband. Instead, she is pulled back into the arms of Hollis, her first love–an avaricious, Heathcliff-like individual who radiates sulfur and cruelty. “She left and didn’t come back, not even when he called her, and yet here she is, on this dark night; here and no place else.” In this deep fable of loss and control, love and fear, Alice Hoffman allows us into her characters’ cores and makes us wish their fortunes were happier. Here on Earth is filled with wisdom, what-ifs, and animals who seem, if not to know more than human beings, at least to know how to shy from danger. –This text refers to the Paperback edition. Continue reading »

Apr 042012
 

Image of Paradise (Oprah's Book Club)

Paradise
By Toni Morrison
Oprah Book Club® Selection #15, January 1998

Editorial Review:

Toni Morrison’s Paradise takes place in the tiny farming community of Ruby, Oklahoma, which its residents proudly proclaim “the one all-black town worth the pain.” Settled by nine African American clans during the 1940s, the town represents a small miracle of self-reliance and community spirit. Readers might be forgiven, in fact, for assuming that Morrison’s title refers to Ruby itself, which even during the 1970s retains an atmosphere of neighborliness and small-town virtue. Yet Paradises are not so easily gained. As we soon discover, Ruby is fissured by ancestral feuds and financial squabbles, not to mention the political ferment of the era, which has managed to pierce the town’s pious isolation. In the view of its leading citizens, these troubles call for a scapegoat. And one readily exists: the Convent, an abandoned mansion not far from town–or, more precisely, the four women who occupy it, and whose unattached and unconventional status makes them the perfect targets for patriarchal ire. (“Before those heifers came to town,” the men complain, “this was a peaceable kingdom.”) One July morning, then, an armed posse sets out from Ruby for a round of ethical cleansing.
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Apr 022012
 

EImage of Ellen Foster (Oprah's Book Club (Pb))llen Foster
By Kaye Gibbons
Oprah Book Club® Selection #11, October 1997

Editorial Review:

Kaye Gibbons is a writer who brings a short story sensibility to her novels. Rather than take advantage of the novel’s longer form to paint her visions in broad, sweeping strokes, Gibbons prefers to concentrate on just one corner of the canvas and only a few colors to produce her small masterpieces. In Gibbons’s case, her canvas is the American South and her colors are all the shades of gray.

In Ellen Foster, the title character is an 11-year-old orphan who refers to herself as “old Ellen,” an appellation that is disturbingly apt. Ellen is an old woman in a child’s body; her frail, unhappy mother dies, her abusive father alternately neglects her and makes advances on her, and she is shuttled from one uncaring relative’s home to another before she finally takes matters into her own hands and finds herself a place to belong. There is something almost Dickensian about Ellen’s tribulations; like Oliver Twist, David Copperfield or a host of other literary child heroes, Ellen is at the mercy of predatory adults, with only her own wit and courage–and the occasional kindness of others–to help her through. That she does, in fact, survive her childhood and even rise above it is the book’s bittersweet victory.



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Apr 012012
 

A Image of A Virtuous Woman (Oprah's Book Club)Virtuous Woman
By Kaye Gibbons
Oprah Book Club® Selection #10, October 1997

Editorial Review:

Gibbons’s novel, A Virtuous Woman, takes place in the same hardscrabble part of the world as Ellen Foster. The virtuous woman is Ruby Pitt Woodrow, a woman who might have ended up like Ellen Foster’s mother if fate, in the shape of Jack Stokes, hadn’t crossed her path. The daughter of prosperous farmers, Ruby runs off with a migrant worker who treats her badly, then abandons her far from home. When she meets Jack, a man 20 years her senior, she’s working as a cleaning woman in another prosperous farmer’s house. Jack is a man women don’t look at even once, let alone twice; Ruby is a woman who needs someone to take care of her. Out of this unlikely union grows a quiet kind of love that is no less powerful for being unstated. Continue reading »

Apr 012012
 

A Image of A Lesson Before DyingLesson Before Dying
By Ernest J. Gaines
Oprah Book Club Selection #9, September 1997

Editorial Review:

In a small Cajun community in 1940s Louisiana, a young black man is about to go to the electric chair for murder. A white shopkeeper had died during a robbery gone bad; though the young man on trial had not been armed and had not pulled the trigger, in that time and place, there could be no doubt of the verdict or the penalty.

“I was not there, yet I was there. No, I did not go to the trial, I did not hear the verdict, because I knew all the time what it would be…” So begins Grant Wiggins, the narrator of Ernest J. Gaines’s powerful exploration of race, injustice, and resistance, A Lesson Before Dying. Continue reading »

Mar 312012
 

SImage of Songs in Ordinary Time (Oprah's Book Club)ongs in Ordinary Time (Oprah’s Book Club)
By Mary McGarry Morris
Oprah Book Club® Selection #8, June 1997

Editorial Review:

A dark secret lies at the heart of Mary McGarry Morris’s extraordinary novel, Songs in Ordinary Time. Rooted in the delicate web of emotions, lies, and truths that bind people together, the story takes place in the primarily Catholic town of Atkinson, Vermont, during the summer of 1960. Here Marie Fermoyle struggles to raise her three children. She already has two strikes against her: she married above her station and now is divorced from her alcoholic husband, Sam. That he is the town drunk and a laughingstock only further marks the Fermoyles.

Enter Omar Duvall, a confidence man. He comes to the door asking for bread and sees an opportunity. Soon he has insinuated himself into the Fermoyle family, promising Marie companionship, love, a willing pair of shoulders to share her burden. Twelve-year-old Benjy knows something terrible about Duvall, but, desperate for anything that will make his mother happy, he hides the truth. This silence gives Duvall time to bring Marie to the brink of financial disaster and lead her sons into mortal danger. Continue reading »

Mar 312012
 

TImage of The Heart of a Womanhe Heart of a Woman
By Maya Angelou
Oprah Book Club® Selection #7, May 1997

Editorial Review:

Maya Angelou has had more lives than the proverbial cat, and in The Heart of a Woman she continues the account of her remarkable life begun in I Know Why the Caged Bird Sings. In the first book of her bestselling autobiographical series, she describes her traumatic childhood in the small, segregated town of Stamps, Arkansas, during the 1930s. Gather Together in My Name picks up the story in the postwar years, when Maya, a single teenager with an infant son becomes, in short order, a cook, a madam, a dancer, and a prostitute. Next comes Singin’ and Swingin’ and Gettin’ Merry Like Christmas, an account of her twenties and her unsuccessful first marriage to a white man. The Heart of a Woman, the fourth in the series, takes us through one of the most exciting and formative periods of Angelou’s amazing life: her beginnings as a writer and an activist in New York. Continue reading »

Mar 302012
 

TImage of The Rapture of Canaanhe Rapture of Canaan
By Sheri Reynolds
Oprah Book Club® Selection #6, April 1997

Editorial Review:

Members of the Church of Fire and Brimstone and God’s Almighty Baptizing Wind spend their days and nights serving the Lord and waiting for the Rapture–that moment just before the Second Coming of Christ when the saved will be lifted bodily to heaven and the damned will be left behind to face the thousand years of tribulation on earth. The tribulation, according to Grandpa Herman, founder of Fire and Brimstone, will be an ugly time: “He said that we’d run out of food. That big bugs would chase us around and sting us with their tails . . . He said we’d turn on the faucet in the bathroom and find only blood running out . . . He said evil multitudes would come unto us and cut off our limbs, and that we wouldn’t die . . . And then he’d say, ‘But you don’t have to be left behind. You can go straight to Heaven with all of God’s special children if you’ll only open your hearts to Jesus . . .'”

Such talk of damnation weighs heavy on the mind of Ninah Huff, the 15-year-old narrator of Sheri Reynolds’s second novel, The Rapture of Canaan. To distract her from sinful thoughts about her prayer partner James, Ninah puts pecan shells in her shoes and nettles in her bed. But concentrating on the Passion of Jesus cannot, in the end, deter Ninah and James from their passion for each other, and the consequences prove both tragic and transforming for the entire community.

The Rapture of Canaan is a book about miracles, and in writing it, Reynolds has performed something of a miracle herself. Although the church’s beliefs and practices may seem extreme (sleeping in an open grave, mortifying the flesh with barbed wire), its members are complex and profoundly sympathetic as they wrestle with the contradictions of Fire and Brimstone’s theology, the temptations of the outside world, and the frailties of the human heart.

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